Categories articles

Article: Chief Mechanic (Gearphoria Magazine)

Photo via Gearphoria.

Mike was interviewed by Alison Richter for Gearphoria volume 5, number 5 (May/June 2017).

Mike Rutherford is backstage in an arena in a “very cold, wet Scotland,” calling before show time to talk about the new Mike + The Mechanics album, Let Me Fly. It’s the band’s first new project in six years, and he is quite satisfied with the results. “I’m pleased with the album,” he says. “I think it’s got a strength to it. How it does, we’ll see.”

Rutherford began thinking about a new album while The Mechanics were touring their 2011 release, The Road. “On that album we didn’t really know each other,” he says. “We were sort of feeling our way. This time it was a lot easier because I knew Andrew and Tim’s voices and I knew the kind of songs I wanted them to sing – or I had an idea, anyway.”

[continue reading – outside link]

Categories live photos reviews

Review: Mike + The Mechanics in New York City

Andrew Roachford and Tim Howar at the Highline Ballroom.

Review by Katherine Stratton for MR Net, photos by Scott Saldinger.

Mike + The Mechanics made their first appearance in the US since their 2015 tour at the end of April, playing two shows in and around New York City. The first, a television taping for the series Front and Center, took place on April 21 as a part of the Asbury Park Music and Film Festival at the House of Independents in Asbury Park, New Jersey. The second show on April 23 was at New York’s Highline Ballroom, an intimate venue which has previously featured artists such as Adele, Stevie Wonder and Rihanna.

As opposed to the theatres the band had been playing on their UK tour in February/March, these venues were much smaller, with capacities of about 250-400 people and a mix of seated and standing room. An interesting aspect of the Highline Ballroom show was that in addition to sections being seated, there was also a dinner service. Between the television taping of the first show and the dine-in experience of the second, it was going to be interesting to see what effects those would have on the shows overall.

Mike + The Mechanics at Asbury Park’s House of Independents.

The Front and Center taping began with an introduction by one of the show’s producers, letting us know what we were in for and about the potential for having to stop and start the show in order to get things just right. The audience were also asked to do a few reaction shots before the band even came out, applauding as if the band were on stage and between songs.

Once the show actually got underway, it was relatively easy to forget the cameras were there for the most part. The only time the taping interfered was when band had to do ‘Over My Shoulder’ a second time in its entirety, which was a nice treat for us if not for them.

The set list did not differ too heavily from the UK tour, with the absence of ‘Cuddly Toy’ and the addition of the single ‘Don’t Know What Came Over Me’ (the latter was performed at a few dates on the UK tour, but was not a regular fixture). The band also forewent the solos they had been including during the encores. Perhaps it is the nature of recording something for the small screen that means the sound and performances are necessarily a bit more contained, but the small size of the venue meant that that did not feel out of place and indeed I did not even truly notice a difference until I heard them again on Sunday.

Andrew Roachford at the House of Independents.

Apart from the need to do another take of ‘Over My Shoulder’, the show flowed as well as it had during the tour. The acoustic interlude for ‘High Life’ and ‘Wonder’ remains a high point of the show for me, and worked especially well in the intimate setting, a setting which later lent itself just as easily to the intensity and energy of ‘I Can’t Dance’ and ‘All I Need is a Miracle’. By the end of the set, those who were seated weren’t anymore and ended the show by enthusing to those next to them about the performance. It bodes well that among those being very enthusiastic was the show’s producer.

Tim Howar at the Highline Ballroom.

The show at the Highline Ballroom was next on the agenda, and I will admit that I did have some reservations about how it might turn out due entirely to the impending dine-in experience. It was difficult to imagine being able to completely get into the show while someone was leaning over you to ask how you wanted your steak cooked, but in the end those worries were ill-founded. At least at our table much of the ordering and eating were already finished by the time the band even came onstage and the staff did a good job of not disrupting views later on.

Mike Rutherford and Anthony Drennan at the Highline Ballroom.

In contrast to the Asbury Park show which was more contained and polished, this show felt more relaxed.  All of the members of the band had an amazing energy for this show, letting loose more than they had even during some of the UK shows, and being a bit more improvisational. The sound was incredible, both from the band and from the audience reactions. I had never heard Tim so dynamic, which is saying a lot. One of the best things about this band is how much fun they seem to have together, and on this night it really felt as if we were also a part of that camaraderie as an audience. There were the usual shouts for ‘Supper’s Ready!’ but it was nice to hear a shout in there for ‘The Letter’ as well.

The only down side to this show was the time constraint (there was an event taking place directly afterwards), which perhaps led to the need to cut ‘Another Cup of Coffee’ from the set. All in all, though, for a Sunday night, it was an intensely good time.

The Mechanics’ episode of Front and Center is set to air in January (source). You can see the band supporting Phil Collins this summer in Dublin and Hyde Park, and they will be on the road in Europe this September. For all dates and tickets check the tour tab or visit mikeandthemechanics.com.

Asbury Park set list:

Are You Ready?
Get Up
Silent Running
Another Cup of Coffee
Save the World
The Best is Yet to Come
Land of Confusion
High Life
Wonder
Let Me Fly
Don’t Know What Came Over Me
I Can’t Dance
Beggar on a Beach of Gold
Over My Shoulder
Over My Shoulder take 2
Living Years
All I Need is a Miracle
Encore: Word of Mouth

Highline Ballroom set list:

Are You Ready?
Get Up
Silent Running
Save the World
The Best is Yet to Come
Land of Confusion
High Life
Wonder
Let Me Fly
Don’t Know What Came Over Me
I Can’t Dance
Beggar on a Beach of Gold
Over My Shoulder
Living Years
All I Need is a Miracle
Encore: Word of Mouth